My writing goal for the summer was to finish an edit of my second Oregon Trail book. I got it done just after Labor Day. Of course, that was not the end of the project. I know it needs another substantial edit. And probably another edit after that.
And I’m working still on the first book, which is closer to being finished, but could still benefit from some shaping.
Some writers seem to be able to dash off a first draft of their novel, go back through it once to catch typos, and declare it done. I can’t do that. Part of it may be my inexperience—I still consider myself to be a newbie novelist. Part of it may be my unwillingness to let go.
But a substantial part is that I know I can make it better with each draft. It isn’t time to let go of the book yet. Not until I am proud of it. It took me nine drafts (four of them major rewrites) to finish the novel I published under a pseudonym.
For me, writing a novel is like sculpture. With each draft, I lay down more clay or scrape it away to reveal the story inside. On the first draft, I write the bones, the skeleton of what happens. On the next draft, I further develop the plot and fix the obvious glitches. On the next draft, I add more character back story and emotion and description.
On the next, I focus on the story arc—making sure the plot points are at about the right points, that there is not much denouement after the climax, etc. It is surprising that if you look for plot points, they are there. It’s a matter of building them up so that readers feel satisfied with the timing of the twists in the story.
Of course, writing isn’t really as scientific as this. By the third draft or so, I’m sharing the story with my critique group, and they tell me where I most need to work. So the story arc draft may come before the emotion-adding draft. Or I have to go back to the plot when I’m told something isn’t believable.
Maybe it is inexperience that I cannot concentrate on everything that a novel needs at once. It is definitely my fault that my time is over-committed and each draft takes so much time.
But writing is what I want to do. No one will manage my time except for me. It is up to me to sculpt my life the way I sculpt my novel. I try on new activities for size—a board or committee here, a new critique group there. The activities that fit, I add to if I’m able. The ones that don’t, I carve away when I can.
Piece by piece, and draft by draft, our life work builds. On the pages we write and in the friends we make.
What sculpting does your life need?
